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These presets can be used with the most photo and video editing softwares (PC/Mac):
Adobe Photoshop (CS6 and +) Adobe After Effects (CS6 and +) Adobe Premiere Pro (CS6 and +) Adobe SpeedGrade Avid Media Composer (7 and +) The Foundry NUKE DaVinci Resolve Assimilate Scratch Edius (8 and +) CyberLink ColorDirector (4 and +) Final Cut Pro X Sony Vegas (12 and +) Wondershare Filmora Affinity Photo HitFilm 4 Video LUT (iPhone, iPad) LumaFusion (iPhone, iPad) and more
For Premiere Pro CC 2015.3, 2017 and more recent, here is how to install and use: Mac: https://vimeo.com/197112054 Windows: https://vimeo.com/197124387
Tecknet pc camera drivers for mac os x. For Premiere Pro CC 2015 (not 2015.3), here is how to install and use: Mac: https://vimeo.com/197127837 Windows: https://vimeo.com/197135144
For After Effects CS6 and Premiere CS6, you need Magic Bullet LUT Buddy (free plugin): https://www.redgiant.com/products/magic-bullet-suite/downloads/
For Final Cut Pro X, you need a LUT plugin like the free one by motionVFX: https://www.motionvfx.com/mplugs-107.html Or the LUT Utility plugin ($29) by Color Grading Central: http://www.colorgradingcentral.com/lututility Or the Color Finale plugin ($99) by Color Grading Central: http://try.colorgradingcentral.com/colorfinale/
Rec 709 Lut
Telcordia sr 332 handbook. For Vegas Pro 15, 16 and more recent you don't need any plugin! For older version you need this cheap LUT plugin by VisionColor: http://www.vision-color.com/lutplugin
Using Picture Profile presets with S-Log
When shooting in S-Log, use Picture Profile presets PP7, PP8, or PP9.
The PP7 preset combines S-Gamut and S-Log2, while PP8 is S-Gamut3.cine/S-Log3 and PP9 is S-Gamut3/S-Log3. Here, select PP7 (S-Gamut/S-Log2) and leave the preset details as-is. A distinction of this Picture Profile, intended for subsequent color grading, is a gamma broad enough for movie production.
Camera setting and types of Picture Profiles
MENU → (Camera Settings) → [Picture Profile] → desired setting.
PP1:
Example setting using [Movie] gamma
PP2:
Example setting using [Still] gamma
PP3:
Example setting of natural color tone using the [ITU709] gamma
PP4:
Example setting of a color tone faithful to the ITU709 standard
PP5:
Example setting using [Cine1] gamma
PP6:
Example setting using [Cine2] gamma
PP7:
Example setting using [S-Log2] gamma
PP8:
Example setting using the [S-Log3] gamma and the [S-Gamut3.Cine] under [Color Mode].
PP9:
Example setting using the [S-Log3] gamma and the [S-Gamut3] under [Color Mode].
PP10:
Example setting for recording HDR movies using [HLG2] gamma.
Learn more
Why Log video looks faded and low-contrast
Often, gamuts used in professional video applications conform to ITU-R BT.709 (Rec. 709), established for HDTVs. This is illustrated below.
Here, the curved color space represents the range of human vision. The gamut of Rec. 709 is much narrower. In contrast, it is easy to appreciate how much broader S-Gamuts used in S-Log recording are.
When viewed on a screen designed for Rec. 709, Log video lacks contrast because the screen cannot display the full gamut.
The ITU-R BT.2020 gamut outlined in green can be reproduced by 4K equipment. This shows how much broader your creative palette is in 4K than in HD.
Appearance of S-Log2 video on a Rec. 709 screen
Bmpcc Rec709 Lut
Easily reproducing colors on Rec. 709 screens with 3D LUTs
Optimal display of Log video on Rec. 709 screens requires color grading, when you will use lookup tables (LUTs). This conversion prepares the material for display on Rec. 709 screens.
Unlike 1D LUTs, which mainly adjust luminance, 3D LUTs control hue, saturation, and brightness of each RGB color. LUTs simplify color grading, because without them, instant S-Log video display matching the gamut of Rec. 709 screens would be difficult as you adjust tone curves, hue, saturation, and other details two-dimensionally.
When ILCE-7SM3 has recorded movies in the [S-Log3] gamma and S-Gamut3.Cine under Color Mode or S-Gamut3 under Color Mode, you can use this LUT.
Rec 709 Lut Sony Fs7
Using Gamma Display Assist and external monitors
To make it easier to check S-Log video on a Rec. 709 screen as you shoot, use Gamma Display Assist to apply LUTs. The contrast of viewfinder and monitor display will look as if you were not shooting in S-Log. In this way, Gamma Display Assist enables precise camerawork, whether you are checking subjects or adjusting the focus.
You can also take advantage of LUT-compatible external monitors, which are now more common.
Comparison of using a LUT on an external monitor
This video introduces shooting in S-Log and shows how effective it can be.
When shooting in S-Log, you can choose S-Log2 or S-Log3. Csgo black screen startup easy fix for mac pro. Colors are reproduced differently depending on your choice, so use the right option for your workflow.
Rec 709 Lut Premiere Pro
In this video, you can see how S-Log2 colors differ from those of S-Log3.